Critics' Picks
AddThe GodfatherRoger Ebert, Chicago Sun-Times
The story by Mario Puzo and Francis Ford Coppola is a brilliant conjuring act, inviting us to consider the Mafia entirely on its own terms. ... Read More
AddThe Wizard of OzRoger Ebert, Chicago Sun-Times
Its underlying story penetrates straight to the deepest insecurities of childhood, stirs them and then reassures them. ... Read More
AddOne Flew Over the Cuckoo's NestRoger Ebert, Chicago Sun-Times
Is One Flew Over the Cuckoo's Nest not a great film because it is manipulative, or is it great because it is so superbly manipulative? I can see it through either filter. ... Read More
AddTo Kill a MockingbirdBosley Crowther, The New York Times
Minor shortcomings in a rewarding film. ... Read More
AddThe StingRoger Ebert, Chicago Sun-Times
The movie has a nice, light-fingered style to it. ... Read More
AddRear WindowRoger Ebert, Chicago Sun-Times
Rear Window lovingly invests in suspense all through the film, banking it in our memory, so that when the final payoff arrives, the whole film has been the thriller equivalent of foreplay. ... Read More
AddGone with the WindRoger Ebert, Chicago Sun-Times
If you loved 'Scarlett,' you'll love its prequel! ... Read More
AddYoung FrankensteinRoger Ebert, Chicago Sun-Times
It shows artistic growth and a more sure-handed control of the material by a director who once seemed willing to do literally anything for a laugh. It's more confident and less breathless. ... Read More
