Critics' Picks
AddThe Shawshank Redemption: Special EditionJanet Maslin, The New York Times
Without a single riot scene or horrific effect, it tells a slow, gentle story of camaraderie and growth, with an ending that abruptly finds poetic justice in what has come before. ... Read More
AddThe GodfatherRoger Ebert, Chicago Sun-Times
The story by Mario Puzo and Francis Ford Coppola is a brilliant conjuring act, inviting us to consider the Mafia entirely on its own terms. ... Read More
AddThe Usual SuspectsThe twist at the end is a corker, but crucial questions remain unanswered. What's interesting, though, is how little this intrudes on our enjoyment. ... Read More
AddFinding Nemo (Widescreen)Roger Ebert, Chicago Sun-Times
One of those rare movies where I wanted to sit in the front row and let the images wash out to the edges of my field of vision. ... Read More
AddGoodFellas: Special EditionRoger Ebert, Chicago Sun-Times
No finer film has ever been made about organized crime. ... Read More
AddThe Wizard of OzRoger Ebert, Chicago Sun-Times
Its underlying story penetrates straight to the deepest insecurities of childhood, stirs them and then reassures them. ... Read More
AddOne Flew Over the Cuckoo's NestRoger Ebert, Chicago Sun-Times
Is One Flew Over the Cuckoo's Nest not a great film because it is manipulative, or is it great because it is so superbly manipulative? I can see it through either filter. ... Read More
AddThe Princess BrideRoger Ebert, Chicago Sun-Times
It is filled with good-hearted fun. ... Read More
AddMonsters, Inc.It's the Pixar animators who keep grown-ups as riveted as the kids with visual marvels that dazzle and delight. ... Read More
